Art House Films & More / 717 Clay Street / Vicksburg, MS 39183
Wednesday, March 26, 2014
Wednesday, March 19, 2014
Japanese comedy coming to the Strand March 22
Join us at
the Strand
(717 Clay St.) for
Key of Life
$7 at the door
$5 in advance at Highway 61 Coffeehouse
From Twitch Film:
Key of Life is the sort of film that seldom plays outside of the festival circuit and that, is nothing short of a tragedy. Because as much as the typical distribution argument that films such as this - films that are too quirky for the genre crowd and too genre for the arthouse - makes a certain degree of objective sense this is simply brilliant storytelling rife with sterling performances and a completely original, completely compelling spin on both the gangster film and the romantic comedy. And, yes, you read that right.
Uchida's third feature revolves around a trinity of key characters, each of whom could easily have anchored a film all on their own but whose stories mesh into a whole even greater than the sum of its parts.
First we meet Kanae (Hirosu Ryoko), a driven and somewhat neurotic woman pushing into her mid thirties. While she's risen through the ranks of her chosen profession, Kanae's meticulous and unemotional manner have left her a single woman and she's decided it's time for that to change. She's going to get married. She doesn't know to whom yet but she's got it all scheduled out so it's time to get cracking.
And then there is Sakurai (Sakai Masato) a failed actor who also proves to be a failure as a suicide artist. Yes, one more thing for Sakurai to feel bad about not being good at. Shaken and a little sweaty from his suicide attempt Sakurai heads to the local bath house to clean up. Because, why not? It's not like he's got anything else worthwhile on the go and he's all out of rope to hang himself with.
It's at the bath house that Sakurai meets Kondo (Kurosawa Kiyoshi regular Kagawa Teruyuki), an elite hit man looking to unwind after a job. But 'meet' may be too strong a word. Because Sakurai's first encounter with Kondo begins with the assassin flying ass over teakettle after stepping on a bar of soap and crashing to the floor, knocking himself unconscious.
At its heart Key Of Life is a movie about isolation and the desire for community, the need to be recognized and accepted, with the identity change being the mechanism that allows each of the three characters to strip away their outer facades and be at least a little bit honest about who they really are and who they want to be. Uchida is well aware of the irony of truthfulness coming out of an extended lie, the entire film delighting in finding emotional truth by subverting factual truth.
A romantic comedy of errors with a bit of a body count and a few smashed cars, Key Of Life is an absolute delight that could not possibly come more highly recommended.
Uchida's third feature revolves around a trinity of key characters, each of whom could easily have anchored a film all on their own but whose stories mesh into a whole even greater than the sum of its parts.
First we meet Kanae (Hirosu Ryoko), a driven and somewhat neurotic woman pushing into her mid thirties. While she's risen through the ranks of her chosen profession, Kanae's meticulous and unemotional manner have left her a single woman and she's decided it's time for that to change. She's going to get married. She doesn't know to whom yet but she's got it all scheduled out so it's time to get cracking.
And then there is Sakurai (Sakai Masato) a failed actor who also proves to be a failure as a suicide artist. Yes, one more thing for Sakurai to feel bad about not being good at. Shaken and a little sweaty from his suicide attempt Sakurai heads to the local bath house to clean up. Because, why not? It's not like he's got anything else worthwhile on the go and he's all out of rope to hang himself with.
It's at the bath house that Sakurai meets Kondo (Kurosawa Kiyoshi regular Kagawa Teruyuki), an elite hit man looking to unwind after a job. But 'meet' may be too strong a word. Because Sakurai's first encounter with Kondo begins with the assassin flying ass over teakettle after stepping on a bar of soap and crashing to the floor, knocking himself unconscious.
At its heart Key Of Life is a movie about isolation and the desire for community, the need to be recognized and accepted, with the identity change being the mechanism that allows each of the three characters to strip away their outer facades and be at least a little bit honest about who they really are and who they want to be. Uchida is well aware of the irony of truthfulness coming out of an extended lie, the entire film delighting in finding emotional truth by subverting factual truth.
A romantic comedy of errors with a bit of a body count and a few smashed cars, Key Of Life is an absolute delight that could not possibly come more highly recommended.
Sunday, February 16, 2014
March 2014 Films at the Strand
On Saturday, March 1 at 7 PM the Strand will be showing Paolo Sorrentino's The Great Beauty.
This new film is a colorful trip to current day Rome, where we meet Jep (Toni Servillo), the self styled king of nightlife, who on the occasion of his 65th birthday, begins to wonder if he will ever find Great Beauty. It's a lush, decadent visit to the ancient city and its people, who party through the nights. (in Italian with English subtitles.)
View the trailer.
ACADEMY AWARD® NOMINEE - BEST FOREIGN LANGUAGE
FILM
WINNER - GOLDEN GLOBE AWARD® - BEST FOREIGN LANGUAGE FILM
WINNER - 4 EUROPEAN FILM AWARDS
BEST PICTURE - BEST DIRECTOR - BEST WRITER - BEST ACTOR
2014 Film Independent Spirit Award Nomination - BEST INTERNATIONAL FILM
WINNER - BAFTA AWARD® - BEST FILM NOT IN THE ENGLISH LANGUAGE
Tickets are $7 at the door and $5 in advance at Highway 61 Coffeehouse. 601 529 7252
--------------------------------------------------------
And coming to the Strand, Saturday, March 8 at 7 PM:
MANHATTAN SHORT's
2ndAnnual Feature Film Project: Everyone's Going to Die
Come cast your vote - help decide the fate of this film.
Everyone's Going to Die, The feature directorial debut of British filmmaker duo Jones tells the story of two lost souls and one last chance.
Melanie's life in a seaside town is going nowhere until she meets Ray, back in town with a shady job to do. A moment's escape becomes a chance to save themselves and each other. Everyone's Going to Die is a modern British story about coming home, getting by and the redemptive power of feeling you're not alone.
Everyone's Going to Die is one of a new breed of British independent films where story is the key driver in the film. Shot on a tiny budget in the summer of 2012, the film stars Rob Knighton, a former carpet fitter in his first ever acting role, and German star Nora Tschirner. The film was shot over one month in a small seaside village, where local townspeople worked as crew, extras and supporting artists. The Film was quickly selected to World Premiere at SXSW in 2013, and then nominated for Best British Film at Edinburgh International Film Festival. Then floowed a tour of Russia with the British Film Council, Dinard in France where the film received a special mention, the prestigious Mar Del Plata in Argentina, nominated for Outstanding British Debut at the British Independent Film Awards and Premier Plans in France. It is now this year's selection for the 2nd Annual Feature Film Project.
Watch trailer for Everyone's Going to Die
Tickets: $7 at the door ($5 in advance at Highway 61 Coffeehouse)
601 529 7252
----------------------------------------------------
Coming to the Strand Saturday, March 15 at 7 PM
Tickets: $7 at the door ($5 in advance at Highway 61 Coffeehouse)
601 529 7252
-------------------------------------------------------------
And one of my favorite Italian films will be
This new film is a colorful trip to current day Rome, where we meet Jep (Toni Servillo), the self styled king of nightlife, who on the occasion of his 65th birthday, begins to wonder if he will ever find Great Beauty. It's a lush, decadent visit to the ancient city and its people, who party through the nights. (in Italian with English subtitles.)
View the trailer.
ACADEMY AWARD® NOMINEE - BEST FOREIGN LANGUAGE
FILM
WINNER - GOLDEN GLOBE AWARD® - BEST FOREIGN LANGUAGE FILM
WINNER - 4 EUROPEAN FILM AWARDS
BEST PICTURE - BEST DIRECTOR - BEST WRITER - BEST ACTOR
2014 Film Independent Spirit Award Nomination - BEST INTERNATIONAL FILM
WINNER - BAFTA AWARD® - BEST FILM NOT IN THE ENGLISH LANGUAGE
Tickets are $7 at the door and $5 in advance at Highway 61 Coffeehouse. 601 529 7252
--------------------------------------------------------
And coming to the Strand, Saturday, March 8 at 7 PM:
MANHATTAN SHORT's
2ndAnnual Feature Film Project: Everyone's Going to Die
Come cast your vote - help decide the fate of this film.
Everyone's Going to Die, The feature directorial debut of British filmmaker duo Jones tells the story of two lost souls and one last chance.
Melanie's life in a seaside town is going nowhere until she meets Ray, back in town with a shady job to do. A moment's escape becomes a chance to save themselves and each other. Everyone's Going to Die is a modern British story about coming home, getting by and the redemptive power of feeling you're not alone.
Everyone's Going to Die is one of a new breed of British independent films where story is the key driver in the film. Shot on a tiny budget in the summer of 2012, the film stars Rob Knighton, a former carpet fitter in his first ever acting role, and German star Nora Tschirner. The film was shot over one month in a small seaside village, where local townspeople worked as crew, extras and supporting artists. The Film was quickly selected to World Premiere at SXSW in 2013, and then nominated for Best British Film at Edinburgh International Film Festival. Then floowed a tour of Russia with the British Film Council, Dinard in France where the film received a special mention, the prestigious Mar Del Plata in Argentina, nominated for Outstanding British Debut at the British Independent Film Awards and Premier Plans in France. It is now this year's selection for the 2nd Annual Feature Film Project.
Watch trailer for Everyone's Going to Die
Tickets: $7 at the door ($5 in advance at Highway 61 Coffeehouse)
601 529 7252
----------------------------------------------------
Coming to the Strand Saturday, March 15 at 7 PM
Xingu
Directed by Cao Hamburger
Country: Brazil
Runtime: 102 min
From the Producers of City of God comes Xingu. The film tells the incredible
story of the Villas-Boas brothers - Orlando (Felipe Camargo), Cláudio
(João Miguel) and Leonardo (Caio Blat) – and the events leading up to
the creation of the Xingu National Park, the first major Indian reservation in Brazil. It salvages a forgotten and dramatic moment in Brazilian history that remains up-to-date and urgent still today.
601 529 7252
-------------------------------------------------------------
And one of my favorite Italian films will be
at the Strand on Friday, March 28 at 7 PM
- Italy
- 1962
- 105 minutes
- Black and White
- 1.85:1
- Italian (With English subtitles)
The ultimate Italian road comedy, Il sorpasso
stars the unlikely pair of Vittorio Gassman and Jean-Louis Trintignant
as, respectively, a waggish, freewheeling bachelor and the straitlaced
law student he takes on a madcap trip from Rome to Tuscany. An
unpredictable journey that careers from slapstick to tragedy, this film,
directed by Dino Risi, is a wildly entertaining commentary on the
pleasures and consequences of the good life. A holy grail of commedia all’italiana, Il sorpasso is so fresh and exciting that one can easily see why it has long been adored in Italy.
Tickets: $7 at the door ($5 in advance at Highway 61 Coffeehouse)
601 529 7252
Friday, January 24, 2014
Promises of the Art House Convergence
I just returned from a week in Utah wading through the snow at the 2014 Art House Convergence. The AHC is a conference / get together of people who show art house films and those who distribute them. In addition there are representatives of firms who supply equipment and services needed to show films and run a cinema: credit card processing, ticketing, advertising, etc. The idea is to get these folks together to discuss ways forward to accomplish the goals of getting these more challenging films before an audience; also to make art house theaters more versatile and more integrated into their communities.
My goal was to meet the people I am already dealing with for films and to make connections with new sources. I accomplished this and much more. The months and hopefully years ahead should reveal strategies, sources, and ideas gleaned at the AHC. Already I am hearing from new connections as we get acquainted and try to determine how to work together.
In the foreseeable future we do have a number of films coming up, some featuring interviews with the filmmakers either in person or utilizing technologies such as SKYPE. We will be showcasing more local and regional filmmakers. We will participate in a short film competition later this year. We will have more silent films with live music.
We hope to eventually offer new kinds of entertainment such as live streamed opera, concerts, dance, and plays to our community. I am excited about how this tiny downtown theater could become a gathering place where cultural events as well as entertainment, and educational programs originating anywhere on the globe can be shared.
As always, let me hear your ideas and suggestions.
Stay tuned.
Daniel W. Boone
Westside Theatre Foundation / Strand Cinema
My goal was to meet the people I am already dealing with for films and to make connections with new sources. I accomplished this and much more. The months and hopefully years ahead should reveal strategies, sources, and ideas gleaned at the AHC. Already I am hearing from new connections as we get acquainted and try to determine how to work together.
In the foreseeable future we do have a number of films coming up, some featuring interviews with the filmmakers either in person or utilizing technologies such as SKYPE. We will be showcasing more local and regional filmmakers. We will participate in a short film competition later this year. We will have more silent films with live music.
We hope to eventually offer new kinds of entertainment such as live streamed opera, concerts, dance, and plays to our community. I am excited about how this tiny downtown theater could become a gathering place where cultural events as well as entertainment, and educational programs originating anywhere on the globe can be shared.
As always, let me hear your ideas and suggestions.
Stay tuned.
Daniel W. Boone
Westside Theatre Foundation / Strand Cinema
Tuesday, October 29, 2013
presents
Nosferatu + Moving Machines =
Live Music + Silent Film
Thursday, Oct 31 • 8 PM
Strand Theatre • 717 Clay St
$10
tickets available at Highway 61 Coffeehouse
or at the door
Silent films were never silent. From the early days, live music was performed to accompany the images. Sometimes written, but often improvised, the music was a complement, a completion of the film. When sound pictures became the norm, the element of live performance at the movies was largely abandoned. There was no need.
Recent years have seen a resurgence in silent films accompanied by live musicans.
FW Murnau’s 1922 Nosferatu will be presented at the Strand Theatre in downtown Vicksburg with live original music by Palmer Shiers and Jeff Gough, known collectively as Moving Machines. This year they are being joined by percussionist Josh Harrison. Anyone who attended last year’s presentation of The Cabinet of Dr. Caligari knows how cool this will be. It was standing room only last year, so getting advance tickets and/or getting there early is a good idea.
Palmer and Jeff, who have been performing together for more than 2 years, both play electric stringed instruments: guitar and bass, using a technique they sometimes refer to as “treated guitar.” The term describes the fact that uch manipulation of the sound is employed, including multiple effects
pedals and sometimes distortion in an effort to create music that will evoke emotions. “I wanted to devote myself to experimental music without lyrics, because I thought I could communicate feelings better that way,” Palmer Shiers said. Harrison is now a permanent member of Moving Machines
adding his unique percussion treatments to their sound.
Roger Ebert gave Nosferatu 4 out of 4 stars. Here are a few of his comments about the film: Murnau's silent film was based on the Bram Stoker novel, but the title and character names were changed because Stoker's widow charged, not unreasonably, that her husband's estate was being ripped off.
Ironically, in the long run Murnau was the making of Stoker, because “Nosferatu” inspired dozens of other Dracula films, none of them as artistic or unforgettable. “Nosferatu” is more effective for being silent. It is commonplace to say that silent films are more “dreamlike,” but what does that mean? In “Nosferatu,” it means that the characters are confronted with alarming images and denied the freedom to talk them away. There is no repartee in nightmares. Human speech dissipates the shadows and makes a room seem normal. Those things that live only at night do not need to talk, for their victims are asleep, waiting.
Don’t miss this show.
Monday, September 30, 2013
Thursday, May 16, 2013
Looking Back 2013...
I should be looking forward. That's where the action is, but I feel I should record some of what's been going on at the Strand while it's fresh in my mind.
Our lack of Air Conditioning/Heat dictates that we will be going on Summer hiatus here as far as public screenings are concerned. It also seems to cause us to have concentrated seasons, and the last 11 weeks, we have screened 11 feature films, presented 6 live theatrical performances, and more. In addition we had a number of special features attached to some of the programs.
In recognition of Black History Month our season started February 28 with a special free screening of LisaGay Hamilton's Beah: A Black Woman Speaks, a documentary about the Academy Award winning actress who was a Vicksburger. There were almost 30 in attendance. I hope we can arrange for LisaGay to come present the film sometime in the future, because it needs to be seen, especially here.
On Saturday, March 2 we showed Jafar Panahi's This is Not a Film. It was extremely cold that night, so there were only about 16 in the theatre, but they were a dedicated group, and were hopefully rewarded by the recent and thought provoking essay made by a man who is forbidden by the Iranian government to make films.
A week later, on Saturday, March 9, the Strand presented a foreign classic: Purple Noon/Plein Soleil Rene Clement's 1960 version of Patricia Highsmith's The Talented Mr. Ripley starring Alain Delon. The still wintry temperatures outside were offset by the languidly beautiful Italian Riviera against which Mr. Ripley did some despicable things.
We added a new high tech facet to our screening of ELZA, a film with no distribution yet. Before the film we called the director, Mariette Monpierre , on the phone which we patched into the house sound system. The audience of about 60 folks was able to hear her enthusiasm all the way from New York City as she introduced her debut feature. The screening was Saturday, March 16.
After having films three weeks in a row, we had to let the thespians take over the stage of the Strand for 2 weekends of performances of Arsenic and Old Lace. Then we took a few weeks off while we prepared for our really big shows.
On Friday, April 26, we presented an evening with Charles Burnett as the opening event of a weekend in his honor. Burnett is a writer/director who was born in Vicksburg in 1944, and who was gracious enough to let us talk him into traveling from his home in Los Angeles to spend a weekend with us.
The first night was an interview with the director interspersed with clips and trailers from several of his films. the program was followed by a dessert reception in the lobby, so all could socialize with our guest of honor. Attendance was good, and there were quite a few people who had traveled to come to this program including Nina Parikh from the Mississippi Film Office.
Next night, we screened two of Mr. Burnett's most well known films: Killer of Sheep and To Sleep with Anger. Between the films we served a buffet dinner, providing both a meal and another opportunity to hang with our guest. He introduced both films to near standing room only audiences, and took a few questions after each film.
On Sunday evening, even though Mr. Burnett was already back in Los Angles, the final night of our Charles Burnett weekend featured screenings of two of his rarely seen films. The more downbeat My Brother's Wedding was followed by The Annihilation of Fish, the hilarious unreleased comedy starring James Earl Jones and Lynn Redgrave as elderly, extremely star crossed lovers.
Two weeks later the Strand hosted a weekend of Civil War related programming in observance of Vicksburg's Civil War sesquicentennial. Friday, May 10 an excerpt of Ken Burn's Civil War was presented for free.
Saturday, May 11, the heart of the weekend was a rare showing of the first feature film made in Mississippi: The Crisis, a tale of the Civil War filmed almost totally here in Vicksburg in 1916. The print of this public domain film is in the collection of the Old Courthouse Museum, and was presented with their cooperation. The print is 16mm and required retrofitting a projector into the Strand. this was likely the first actual projected film in the Strand since the 1960's. The silent film was accompanied by Tracy Gardner on piano.
During the reel change, we took an intermission, and were treated to Jeff Giambrone's comments and answers to questions about the film. Jeff has done extensive research on the making of The Crisis, but had never seen it. His perspectives helped the audience appreciate what a rare treat it was to be able to see it. Ward Emling, head of the Mississippi Film Commission, was there, specifically because the making of Crisis marks the beginning of filmmaking in the state.
Sunday, May 12 at 4 PM we presented the incomparable Buster Keaton with The General. This film is listed as the 35th best film ever by the 2012 Sight and Sound poll of 486 international critics. It was a fun way to end the Civil War weekend and the 2013 Spring season of the Strand Cinema project.
I cannot imagine a more rich 11 weeks for our little handmade cinema. But that is exactly the task before us: imagining and bringing to fruition more and better programming. No wonder I'm looking back.
As I look back, I would like to recognize the efforts of a few people who know that someone has to make things happen: Jack Burns, president of the Westside Theatre Foundation; volunteers from the WTF: Stacy Schrader, Michelle Fisackerly, and Kathy Kleinman; Tracy Gardner for her musical accompaniment, Heather Burns of Just Desserts for her sweet contributions; David and Andrew of the Bazinsky House for providing lodging for our guest; Amy & Dennis of Milestone Films and Carolyn Hays for all their help with the Burnett weekend; all the many who made food and more for the receptions during the Burnett weekend; the Old Courthouse Museum; (I will think of more who deserve mentioning including my wife, Lesley Silver)...
Our lack of Air Conditioning/Heat dictates that we will be going on Summer hiatus here as far as public screenings are concerned. It also seems to cause us to have concentrated seasons, and the last 11 weeks, we have screened 11 feature films, presented 6 live theatrical performances, and more. In addition we had a number of special features attached to some of the programs.
In recognition of Black History Month our season started February 28 with a special free screening of LisaGay Hamilton's Beah: A Black Woman Speaks, a documentary about the Academy Award winning actress who was a Vicksburger. There were almost 30 in attendance. I hope we can arrange for LisaGay to come present the film sometime in the future, because it needs to be seen, especially here.
On Saturday, March 2 we showed Jafar Panahi's This is Not a Film. It was extremely cold that night, so there were only about 16 in the theatre, but they were a dedicated group, and were hopefully rewarded by the recent and thought provoking essay made by a man who is forbidden by the Iranian government to make films.
A week later, on Saturday, March 9, the Strand presented a foreign classic: Purple Noon/Plein Soleil Rene Clement's 1960 version of Patricia Highsmith's The Talented Mr. Ripley starring Alain Delon. The still wintry temperatures outside were offset by the languidly beautiful Italian Riviera against which Mr. Ripley did some despicable things.
We added a new high tech facet to our screening of ELZA, a film with no distribution yet. Before the film we called the director, Mariette Monpierre , on the phone which we patched into the house sound system. The audience of about 60 folks was able to hear her enthusiasm all the way from New York City as she introduced her debut feature. The screening was Saturday, March 16.
After having films three weeks in a row, we had to let the thespians take over the stage of the Strand for 2 weekends of performances of Arsenic and Old Lace. Then we took a few weeks off while we prepared for our really big shows.
On Friday, April 26, we presented an evening with Charles Burnett as the opening event of a weekend in his honor. Burnett is a writer/director who was born in Vicksburg in 1944, and who was gracious enough to let us talk him into traveling from his home in Los Angeles to spend a weekend with us.
The first night was an interview with the director interspersed with clips and trailers from several of his films. the program was followed by a dessert reception in the lobby, so all could socialize with our guest of honor. Attendance was good, and there were quite a few people who had traveled to come to this program including Nina Parikh from the Mississippi Film Office.
Next night, we screened two of Mr. Burnett's most well known films: Killer of Sheep and To Sleep with Anger. Between the films we served a buffet dinner, providing both a meal and another opportunity to hang with our guest. He introduced both films to near standing room only audiences, and took a few questions after each film.
On Sunday evening, even though Mr. Burnett was already back in Los Angles, the final night of our Charles Burnett weekend featured screenings of two of his rarely seen films. The more downbeat My Brother's Wedding was followed by The Annihilation of Fish, the hilarious unreleased comedy starring James Earl Jones and Lynn Redgrave as elderly, extremely star crossed lovers.
Two weeks later the Strand hosted a weekend of Civil War related programming in observance of Vicksburg's Civil War sesquicentennial. Friday, May 10 an excerpt of Ken Burn's Civil War was presented for free.
Saturday, May 11, the heart of the weekend was a rare showing of the first feature film made in Mississippi: The Crisis, a tale of the Civil War filmed almost totally here in Vicksburg in 1916. The print of this public domain film is in the collection of the Old Courthouse Museum, and was presented with their cooperation. The print is 16mm and required retrofitting a projector into the Strand. this was likely the first actual projected film in the Strand since the 1960's. The silent film was accompanied by Tracy Gardner on piano.
During the reel change, we took an intermission, and were treated to Jeff Giambrone's comments and answers to questions about the film. Jeff has done extensive research on the making of The Crisis, but had never seen it. His perspectives helped the audience appreciate what a rare treat it was to be able to see it. Ward Emling, head of the Mississippi Film Commission, was there, specifically because the making of Crisis marks the beginning of filmmaking in the state.
Sunday, May 12 at 4 PM we presented the incomparable Buster Keaton with The General. This film is listed as the 35th best film ever by the 2012 Sight and Sound poll of 486 international critics. It was a fun way to end the Civil War weekend and the 2013 Spring season of the Strand Cinema project.
I cannot imagine a more rich 11 weeks for our little handmade cinema. But that is exactly the task before us: imagining and bringing to fruition more and better programming. No wonder I'm looking back.
As I look back, I would like to recognize the efforts of a few people who know that someone has to make things happen: Jack Burns, president of the Westside Theatre Foundation; volunteers from the WTF: Stacy Schrader, Michelle Fisackerly, and Kathy Kleinman; Tracy Gardner for her musical accompaniment, Heather Burns of Just Desserts for her sweet contributions; David and Andrew of the Bazinsky House for providing lodging for our guest; Amy & Dennis of Milestone Films and Carolyn Hays for all their help with the Burnett weekend; all the many who made food and more for the receptions during the Burnett weekend; the Old Courthouse Museum; (I will think of more who deserve mentioning including my wife, Lesley Silver)...
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